this post was submitted on 04 Mar 2025
3 points (100.0% liked)

Piracy: ꜱᴀɪʟ ᴛʜᴇ ʜɪɢʜ ꜱᴇᴀꜱ

62762 readers
373 users here now

⚓ Dedicated to the discussion of digital piracy, including ethical problems and legal advancements.

Rules • Full Version

1. Posts must be related to the discussion of digital piracy

2. Don't request invites, trade, sell, or self-promote

3. Don't request or link to specific pirated titles, including DMs

4. Don't submit low-quality posts, be entitled, or harass others



Loot, Pillage, & Plunder

📜 c/Piracy Wiki (Community Edition):

🏴‍☠️ Other communities

FUCK ADOBE!

Torrenting/P2P:

Gaming:


💰 Please help cover server costs.

Ko-Fi Liberapay
Ko-fi Liberapay

founded 2 years ago
MODERATORS
top 5 comments
sorted by: hot top controversial new old
[–] JoMiran@lemmy.ml 2 points 4 months ago* (last edited 4 months ago)

As with film and TV, lack of access to manga is the main driver behind the global surge in unlicensed demand

"We think there is a fundamental misconception about piracy. Piracy is almost always a service problem and not a pricing problem. If a pirate offers a product anywhere in the world, 24 x 7, purchasable from the convenience of your personal computer, and the legal provider says the product is region-locked, will come to your country 3 months after the US release, and can only be purchased at a brick and mortar store, then the pirate's service is more valuable.".
-- Gabe Newell

[–] catloaf@lemm.ee 1 points 4 months ago

It's not piracy if it's not available legally.

[–] RedSnt@feddit.dk 0 points 4 months ago (1 children)

The weebs are winning because Hollywood is bankrupt for ideas. Heck, not just Hollywood, the west in general.

[–] DebatableRaccoon@lemmy.ca 0 points 4 months ago (1 children)

That and a general lack of availability of manga in the west. English releases are often years behind the Japanese ones, if they get brought over at all. It's why there are so many translation groups.

[–] mnemonicmonkeys@sh.itjust.works -2 points 4 months ago

Not only that, Kodansha is ridiculously money-grubbing in the space. They're continually trying to push for pay-per-chapter monetization instead of a basic subscription model like Shonen Jump does.

Not only that, Kodansha's newest app, KManga, has 21 trackers in it to sell off user data. For context, Facebook only has 9 trackers.