this post was submitted on 02 Dec 2025
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I’ve been thinking a lot recently about PeerTube, Loops, Bandwagon, and other platforms in the Fediverse that are geared around artists. I might get flamed for this, and you’re welcome to disagree, but I think the network is in dire need of having support for commerce.

Not “Big Capitalism” commerce, but the ability for people to buy and sell things, support projects, and commission their favorite creators to keep making more stuff.

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[–] dbtng@eviltoast.org 10 points 2 days ago (3 children)

Hey, um .... I read your article. Or I tried to.
It lost me at the point where I need to give money to somebody else. So, basically right at the start.

To be more specific, your article starts of lamenting that its not convenient enough for me to give money to someone ("content creators", a bullshit term if I've ever heard one) on these federated platforms. "this is a bit of a problem" There's no examination of whether we should be doing this. Its taken as a given that monetization is a positive goal.

So ... I really tried to get there and understand your point, but there's this vast gulf between us.
Why would it be bad if nobody makes any money off the fediverse?
That sounds good to me.

[–] OpticalMoose@discuss.tchncs.de 6 points 2 days ago (1 children)

What's bullshit about content creators? I enjoy watching documentaries from The History Channel or The Learning Channel. If someone does a bunch of research and self-publishes a documentary, they're somehow less valid?

The article isn't about anybody "making money off the fediverse". It's about finding a way to make the fediverse viable, considering that everybody wants to use it, but nobody wants to donate.

[–] dbtng@eviltoast.org 3 points 1 day ago (1 children)

Youtube was a lot more fun before it was flooded with professionals out to make a buck on advertising. This thing you seek ... it is not good.

[–] Krudler@lemmy.world 0 points 1 day ago (1 children)

You're referencing a time when the content was also completely useless, and ZERO production values were expected.

Times have changed, old man.

[–] dbtng@eviltoast.org 0 points 1 day ago (1 children)
[–] Krudler@lemmy.world 1 points 1 day ago (1 children)
[–] dbtng@eviltoast.org 0 points 1 day ago

That's a link. They also call them URLs. We learned about them in web class, back in the stone age.

[–] megrania@discuss.tchncs.de 6 points 2 days ago (1 children)

I don't agree, really ... that'd limit the Fediverse to hobbyists.

It's completely legitimate to look for income & exposure as a creator, whether you're making music, visual art, or document your process making physical objects. Corporate platforms, as crappy as they might be, provide a path to that, and in many ways created viable path for creators to do what they like full-time. Not saying that it's perfect or easy. But the Fediverse is currently no alternative at all ...

Currently, restricting yourself to the Fediverse as an artist unfortunately means that you're taking quite a hit in terms of exposure you can get. As long as that's the case, and people even defend it, then we really can't complain that the Fediverse isn't attractive for a larger amount of people, and centralized platforms will always have the bigger draw.

I try to avoid corporate platforms as much as I can, but as a consumer I often feel starved of content. I haven't found any interesting woodworking channels on PeerTube, or guitar repair channels, or whatever else I enjoy watching to wind down.

And as a creator, well ... it's not my source of income, but I sure would like it to be. And if I ever decide to make that step, I'm pretty sure that I's have to make amends to my "no corporate platforms" approach. The Fediverse doesn't feed you.

[–] dbtng@eviltoast.org 1 points 1 day ago (2 children)

Ok. I can follow this line of reasoning.
If you want to avoid corporate platforms, fediverse doesn't provide as viable an alternative as one might like.
This is clear, and makes sense. Thanks for the succinct explanation. At least I see some sense here now.

I'm not entirely sure that it matters.
Like, when was it decided that the 'making money' bit needed to be imported from YouTube?

[–] megrania@discuss.tchncs.de 3 points 1 day ago* (last edited 1 day ago) (1 children)

I doesn't "need" to be imported, the question is just, where do we see the future of federated (non-)platforms ? Do we want them to be "small and cozy" with a small and fairly narrow selection of content or do we want a non-corporate alternative that can compete in richness and variety of interesting content of all niches?

A lot of folks only seem to see the crappy part of youtube and other platforms, and don't see the richness of content that exists ther. There's still so much interesting stuff to be found. I don't think there has ever been a bigger archive of, say, documentation about arts, crafts, history, food, than YT, even it its current enshittified form. If that's an ocean of content, the Fediverse isn't even a major river (at least that's my impression).

If you don't mind that, great. But I do, I'd love a non-corporate version to exist that can compete in terms of richness of content.

And monetary incentive is part of the puzzle, as it incentivizes people to spend time on it, which in terms generates a bigger audience, which in turn has a higher potential to support a wider range of content niches. Plain and simple.

[–] dbtng@eviltoast.org 1 points 22 hours ago (1 children)

Well, the more of youtube we import ... the more of youtube we import. Part of the reason we aren't flooded with crap on the fediverse is that we are too small to matter. And perhaps we are small enough to effectively police our own. So ... why would we want to import youtube at all? Bigger is not better.

[–] Zagorath@aussie.zone 1 points 9 hours ago

The advantage of the fediverse is how well it should be able to scale, thanks to its federated nature. A big part of the problem with YouTube is that its large scale but centralised nature means that they just throw AI at the moderation problem, and it is infamously terrible. Censoring important conversations and sensitive subjects, while letting through actual child abuse. And because it's centralised, users (both viewers and creators) don't have an easy option to turn somewhere else without losing the whole network effect.

It's compounded by the fact that the majority of monetisation on there is driven by advertising. Direct funding via a Patreon-like model (optional payment to receive some minor bonuses, primarily for supporting the creator), a Nebula-style model (subscription to access content), or a BATish model (forget most of the actual details of BAT, especially the crypto, but imagine a system—which could be voluntary or mandatory depending on the individual system, creator, or piece of content—in which users stick a bunch of money into a wallet, and it is automatically shared with the creators whose content they are viewing in some fair manner). Not having actual advertisements, combined with better, more local moderation decisions, would help stave off the biggest problems with YouTube.

[–] Zagorath@aussie.zone 1 points 9 hours ago

The "making money" bit doesn't need to be imported, necessarily. It's not an end unto itself. But if we want a large amount of high-quality content, while society is capitalistic, then it does. Because high-quality content takes a lot of time to produce, and not many people can afford to do it as a hobby. The scenario you're describing means that who have the skills to do it could do it while making money on YouTube or Patreon, or they could do it for free on the fediverse while not making money (or making money in a more conventional job, creating the stuff that we love them for only in their spare time—limiting the quantity they can produce).

[–] rumba@lemmy.zip 3 points 1 day ago (2 children)

Not OP, but I'd work real fucking hard to give us something that can be a viable alternative to Youtube where a corporate monopoly doesn't take 95% of the cash. It doesn't even need to be federated, but we all see the shithole Odysee immediately became. We have a substantial number of people here with like interests and marginally like feelings on a lot of topics that would make great video content.

Peertube has been around for 7 years, and there isn't enough content on it to occupy even a Linux nerd for more than 30 minutes a week. People are only making videos on YouTube because they can make some semblance of a living at it.

I think giving people who are willing to create videos some decent tools for monetization in open products would be a reasonably good idea. We have nothing there now; we don't have anything to lose by it. It's not like great content that doesn't exist can be walled off to us.

This could be as easy as forking peertube and putting in patreon privitization links. Or it could be a federated version of KoFi that ties in.

[–] dbtng@eviltoast.org 4 points 1 day ago (1 children)

Ok, I quibble with much of what you just wrote, but your first line contained a lucid point.

In essence, you propose that a federated monetization scheme would direct the bulk of the pie to the participants and not to the big corporate interests.

Now that's a damned interesting thing to consider.
I think its obvious that it would/will go awry. Any time you get non-profits screwing around with money, somebody figures out how to steal it.
But if even a bit more went to the participants and paid for infrastructure, that would be a positive thing.

But again ... non-profits and coops never handle money correctly. Watch this get all the way to the goalpost and then swoop, it all gets handled with GooglePay. Its doomed. DOOM.

[–] rumba@lemmy.zip 2 points 1 day ago

I think its obvious that it would/will go awry.

I'm not even sure that is possible, but I'd like to see us try something.

Maybe the best place to start is by allowing a microtransaction service into the UI and let people add their own API keys to known players.

[–] Zagorath@aussie.zone 1 points 9 hours ago

Honestly the best YouTube alternative at the moment is Nebula. The problem is that it's a closed system. You can't just make an account and start uploading, you have to be invited. So the range of content is fairly limited compared to YouTube. But unlike many other platforms, it is designed to be fairly general-purpose. There are some excellent individual creators' platforms, like Dropout, Viva+, Club TWiT, etc. But you only get a single creator/team's videos on those. Dropout is improv comedy. Viva+ is sketch comedy. Club TWiT is tech news. Whereas Nebula is more of a coop owned by tens of different creators with content including news, media analysis (including film, games, and music), politics, science, short films, game shows, and more. It's not federated, but it's independent and worker owned-ish.