this post was submitted on 07 Aug 2025
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That's a fair point of view, but that is literally the point of art. Not just abstract and contemporary art. The more context you have with a piece of art, the more it will make you feel and think about what it is trying to communicate.
Try and look up the painting Stańczyk by Jan Matejko.
In isolation, you'd look at that painting and see a sad jester in a chair. You may feel something, but it won't be very deep.
When the context is added for that painting, it starts taking on a completely and much more complex meaning. The most basic takeaway with context is "while the politicians, kings and nobelmen are partying, only the jester is understanding the severity of the country's predicament."
But if you take the time and start diving into the meaning of the comet outside the window, the cultural and historical significance of the court jester Stańczyk to Poland's history and culture, the letter on the table, the fact that Matejko used his own face as a reference for the jester, dive into Matejko's own life and his views, interests and concerns you will get a much greater and much more nuanced interpretation of what you're looking at. It will basically educate you on something you most likely know nothing about.
That is what art does.
Asger Jorn's Stalingrad is the same for me.
It is so miss the point of art to think that you should be able to just glance at it briefly and get anything out of it.
Art is also not supposed to be pleasant or pretty. It is supposed to move people. There is tons of art out there that bores me to tears or that I think is bullshit, but others may connect with it where I couldn't and that is worth something.
Are there bulshitters and bulshit art out there? Absolutely. One of my favourite horror satirea Velvet Buzzsaw very much takes the piss out of the art scene and the silly snobs in it.
But I think it is a mistake to think that having context for an art piece is somehow cheating when all art ever made has a title and an intent and context by default.
Very succinctly so I don't end up writing another wall, I generally agree with you on these points. Where we differ I think is that I feel context can add depth and richness (as in the Jester painting) but that the work itself should contain some INTRINSIC depth and richness.
The analog discussion I think we are having is "are placebos good medicine?". Do you feel better after taking them? Sure. I suppose that makes it hard to say they are not medicine. At the same time, it's the act of consuming them that gives them the effect, not anything to do with the content.
I genuinely disagree with you on the placebo argument, but that is okay.
Sometimes I like an abstract painting or sculpture because of shape, color, composition and so on. I don't think abstract art would be popular with many people is the works didn't stir something in them just by how they looked.
Again, I completely respect that this type of art doesn't do anything for you, but I think you are entirely wrong in claiming that there is nothing to abstract art unless there is a title for context. That isn't true. Abstract art can evoke all kinds of emotions in people without any context. Disgust, euphoria, sadness, happiness, fear, anger, calmness etc. It is not a trick that an abstract art piece can evoke emotions. It is simply a matter of the art piece being created by someone who has an eye for composition, color theory and is in tune with the emotion he or she intents to transfer onto the canvas.
This may apply to some art, but it is not necessary for all art.