this post was submitted on 23 Jun 2025
494 points (96.3% liked)
memes
16042 readers
3488 users here now
Community rules
1. Be civil
No trolling, bigotry or other insulting / annoying behaviour
2. No politics
This is non-politics community. For political memes please go to !politicalmemes@lemmy.world
3. No recent reposts
Check for reposts when posting a meme, you can only repost after 1 month
4. No bots
No bots without the express approval of the mods or the admins
5. No Spam/Ads
No advertisements or spam. This is an instance rule and the only way to live.
A collection of some classic Lemmy memes for your enjoyment
Sister communities
- !tenforward@lemmy.world : Star Trek memes, chat and shitposts
- !lemmyshitpost@lemmy.world : Lemmy Shitposts, anything and everything goes.
- !linuxmemes@lemmy.world : Linux themed memes
- !comicstrips@lemmy.world : for those who love comic stories.
founded 2 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
Considering the 1/4” jack has been around for literal eons (1877, no joke), there’s sort of just tradition when you compare it to the 3.5mm from the 1950s. The primary reason being durability. Your guitar is probably going to be yanked on pretty rough a few times compared to something as little as a phone that will just rip out of your hand. On the guitar, it’d probably damage the port pretty quickly.
That's interesting. So there's no major signal degradation or limit between the two cable sizes? I always assumed it was something like that that would make the larger jack preferable.
Not really. Until you get down to really small sizes, the human ear can’t perceive the signal noise. If you’re recording at a full studio level, the lower the noise floor, the better, and thicker cables/ports are better, but for most indie stuff, 3.5mm would suffice just fine for audio quality. Also, if you amping the signal like crazy, that could theoretically help with noise.